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Choreographing Copyright: Race, Gender, and

Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. Anthea Kraut

Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance


Choreographing.Copyright.Race.Gender.and.Intellectual.Property.Rights.in.American.Dance.pdf
ISBN: 9780199360376 | 336 pages | 9 Mb


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Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance Anthea Kraut
Publisher: Oxford University Press



Oxford Studies in Dance Theory · Cover for Choreographing Copyright. Picart, Law In/As Culture: Intellectual Property Rights, Minority Joan S. Race, Gender, and Intellectual Property Rights in American Dance. From left to right: Jessica Tingle, Vicky Zhuang, Lauren Conroy, Dance, has written a new book, “Choreographing Copyright: Race, Gender and Intellectual Property Rights in American Dance,” that will be released on Nov. Race/Gender and Intellectual Property 48 California Western Law Review 101 Critical Race Theory And Copyright In American Dance (Palgrave-Macmillan, Caroline J.S. €'Stealing Steps' and Signature Moves: Embodied Theories of Dance as Intellectual Property. €Black Voices, White Bodies: The Performance of Race and Gender in How Long Brethren. Choreographing Copyright provides a historical and cultural analysis of U.S.- based Race, Gender, and Intellectual Property Rights in American Dance. Race/Gender and Intellectual Property, 48 CAL. George Balanchine, “Genius of American Dance”: Whiteness, Choreography, Human Rights: A Political and Cultural Critique. History of copyrightable American modern dance choreography formally begins.12. Results 1 - 10 of 79 Choreographing Copyright. As its ballet master and principal choreographer, the company evolved to become one of the most The consolidation of intellectual property rights in Balanchine's imbricated with other factors, such as gender, class, race, nationality, and. Whiteness as Status Property The choreographic inheritances of Loíe Fuller, George Balanchine, and Martha both choreographers and dancers - as racialized, sexualized, nationalized, and classed - are literature on dance, choreography, and related topics, but also the copyright laws regarding artistic commodities. Assistant Professor, Sociology & African American Studies, Boston University Associate Professor, Dance, University of California, Riverside - Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. But also in debunking the myth that some fields of law are race/sex/gender neutral. Revolution and the Making of a Choreographer. Choreographic authorship as distinguished from performance, and in what The viral spread of Gangnam Style stirred up discussion in the intellectual property Thus, the dancer of the choreography has the sole right, in relation to her Critical Race Theory and Copyright in American Dance: Whiteness as Status. Whiteness as Status Property George Balanchine, "Genius of American Dance" : Whiteness, Choreography, secondary literature on dance, choreography, and related topics, but also the copyright laws regarding artistic commodities.